Write your fantasy,
make it real.

At the Lakeside Hotel on Suzhou’s shore, thirty-two-year-old qipao tailor Shu Man sits by the floor-to-ceiling window in a black lace dress of her own making, saying nothing. The rule is hers: each time she undoes a frog button, the single man Cheng Jun may take one step closer; each time she fastens one back, everyone stops. Her husband Meng Yu stands outside the balcony door, his voice so soft it only ever offers suggestions—until he steps across the sliding track himself.

On the third day in Bali, Liang Zhiyuan and his wife Zhuo Ying walk into the tidal spa by the beach for a ninety-minute couples massage. The front desk makes it clear: no touching between therapists and clients. Zhuo Ying is thirty-three, thin-skinned, never able to say what she wants out loud—but her foot touches the male therapist Yono first, and the condom in her bag is one she brought herself. Her husband sees the condom on the nightstand, but not the moment she put it there.

Suo Min, thirty-one, plays bass for Low Pressure Trough. Her husband Ying Hao is the drummer, out with a wrist injury, not allowed to touch a single stick. At soundcheck for the Fengkou Music Festival, Da Li, the monitor engineer, pushes her low end up two notches. She sets the rule: with the pass hanging on her neck he can touch her; off and on the console, he stops. After the show, behind the black drape with close to ten thousand people still out front, her husband sits across from her with a bodypack on, listening, counting one two three four over the comms. A month later, at her husband’s comeback show, she hangs the pass on the drum kit.

Black Rock Flats campground, 3,200 meters up. Camping blogger Bi Yang lies on the car roof shooting three hours of star trails, and not a single frame can break. In the tent, thirty-year-old coffee-shop owner Jing Lan pulls the door zipper down to halfway. Yue Chuan, the geological surveyor camping alone at the next site, told her: zipped to the top means stay away, zipped halfway means come in, and nobody says a word. Her husband can only listen from ten meters away while she counts zipper teeth. On the second night she says: I’ll leave the zipper for you. You come in.

Wen Shuyao, thirty-two, restores ancient books. Six months after spinal surgery, her husband Sheng Lang still cannot make love to her. He suggests his oldest friend Gu Yihang: the best man who handed over the ring at their wedding, the surgeon who stitched him closed. She refuses three times. The fourth time, she takes off her wedding ring herself and sets it on the nightstand. Ring on the nightstand, he comes in; ring on her hand, nobody does. Through the wall, her husband listens to her recite the Book of Odes. The scar aches. Below it, he is hard.

A-Lan is thirty-two, Lao Song thirty-five, ten years married. This time what he wants is: she pretends to sleep, and the other man, A-Kai, slips into the room in the middle of the night. She sets the rules, and one “lights on” stops everyone. Ji Hotel, room 1207, room 1210 diagonally across the hall; the lights go out, and a black shape comes in through the crack of the door. She was never asleep, and the moment he pressed down on her she panicked for real: one punch, and Lao Song’s nose was pouring blood. Lights on, three people frozen for half an hour. Then it was she who said it: go on, him first, leave the lights on.

Six strangers, one penthouse, and a set of rules nobody intends to keep. All adult, purely fictional. (NSFW zone.)