NSFW 🔞
Frog Buttons
🔞 Adult zone · all characters adult · pure fiction
Adult chapters require 18+ confirmation; unlock with coins or membership
Male-leadMarried Woman · CuckoldressNTR · CuckoldThreesome · GroupOral SexStockings
At the Lakeside Hotel on Suzhou’s shore, thirty-two-year-old qipao tailor Shu Man sits by the floor-to-ceiling window in a black lace dress of her own making, saying nothing. The rule is hers: each time she undoes a frog button, the single man Cheng Jun may take one step closer; each time she fastens one back, everyone stops. Her husband Meng Yu stands outside the balcony door, his voice so soft it only ever offers suggestions—until he steps across the sliding track himself.
Contents · 3 chapters
First 1 chapters free · coins after that- 01Chapter 1: He Walked Into the Lobby Carrying a BearFreeThe message wouldn’t send, and he thought he’d been blocked. When she walked in, she didn’t say a word—just undid the first button of her collar.
- 02Chapter 2: She Buttoned One Back🔒 300 coinsShe undid one, he moved down a step. Halfway through riding, she buttoned the sixth one back: “Wait.”
- 03Chapter 3: The Stool by the Window🔒 350 coinsFor the first time she asked her husband for something, and what she asked for was “from behind.” The stool sat by the window, facing the whole lake.
More by Wayfarer
All 180 works →- The Course SheetLao Lang, thirty-eight, lives out of a suitcase and scores everyone he meets. Behind door C of Haijiao’s Yong’an Building, she opens the door and hands him a laminated course sheet: basic eight hundred, eating her out plus two hundred, tongue kissing plus two hundred, no condom crossed out twice. He orders the cheapest line, and neither of them is into it. On the second night she says please wait. On the third he never looks at the sheet and only asks which one she likes best herself. She turns the paper over. Her name is written on the back.
- Married Couple’s RoomOn the third day in Bali, Liang Zhiyuan and his wife Zhuo Ying walk into the tidal spa by the beach for a ninety-minute couples massage. The front desk makes it clear: no touching between therapists and clients. Zhuo Ying is thirty-three, thin-skinned, never able to say what she wants out loud—but her foot touches the male therapist Yono first, and the condom in her bag is one she brought herself. Her husband sees the condom on the nightstand, but not the moment she put it there.
- Three Twists of the HandleLao Lang, thirty-eight, foreign trade, divorced, one red windbreaker. His client Old Park drops him off at an apartment building by the Han River: sixteenth floor, the door at the end of the hall, three twists of the handle. The door opens, and she stands in the light. Soyeon, twenty-seven, hotel front desk, red-orange hair, a little canine tooth. A single “oppa” pulls him back to Eunhee thirteen years ago, and he tries to fall in love in a paid-for apartment, until that single drop of white cream hangs on the tip of her nose.
- The Second Blind BoxLao Lang, thirty-eight, works in foreign trade, second time at that apartment building in Hancheng. Old Park said this time it’s the fourteenth floor, and the doorknob still turns three times. The one who opens the door is called Jisoo, twenty-six, her palm slightly cool, all the mineral water labels facing the same direction. She asks “may I” before every step forward, and the scoring system he’s used for sixteen years can’t fill in a single column. Before leaving, he turns a bottle of water the other way; she turns it back, saying next time he can turn it again.
- The Laundromat at FourFu Yao, thirty, works the night shift on a customer service line. The washing machine at home is broken, so every morning at four she goes down to the self-service laundromat, where Niu Ben, the delivery station manager, is always there. She could still recite her mother’s rules at thirty; now she sets her own: while the drum is turning, anything goes, and when it beeps, she leaves. She never presses pause. Her husband You Kai, a day-shift programmer, fixes the washing machine. She still goes downstairs and presses sixty minutes. One morning at four, he wakes up.
- The Swim LaneYi Shan is thirty-three, a Chinese-lit graduate. When her magazine folded she took the front desk at Binhe Swim Center, teaches the evening adult class, and swims half an hour alone every dawn. Gu Zheng, the lane-four morning member, swam for the provincial team eleven years ago and only ever shows up from six to six-thirty. House rule three: cap on in the water. With the cap on she is the front desk. With it off, she is not. Her husband Lai Xu sells cars, has another woman at lunchtime, and has only one thing to say at night: “Dry your hair.”
- The Orchard PickersTwenty days of picking season. Yu Lan, thirty-six, runs the kitchen at the family farmstay and feeds twenty workers, and she gives the new kid, Xiao Feng, one scoop more. She lays the rules out to his face: wages are paid by the day and have nothing to do with this; the fruit basket set under the trees means yes, the basket in her hand means no. The row at the foot of the hill ripens late, and nobody goes there. When the fruit is in, Xiao Feng leaves, the basket goes up on the kitchen wall, and her husband sets a half-used bottle of toilet water beneath it.
- The Backstage PassSuo Min, thirty-one, plays bass for Low Pressure Trough. Her husband Ying Hao is the drummer, out with a wrist injury, not allowed to touch a single stick. At soundcheck for the Fengkou Music Festival, Da Li, the monitor engineer, pushes her low end up two notches. She sets the rule: with the pass hanging on her neck he can touch her; off and on the console, he stops. After the show, behind the black drape with close to ten thousand people still out front, her husband sits across from her with a bodypack on, listening, counting one two three four over the comms. A month later, at her husband’s comeback show, she hangs the pass on the drum kit.
- Rain at the Location BaseA downpour strands wedding photographer Yin Duo and his makeup-artist wife Pi Xiaolu at a location base forty kilometers out. The female model never shows, so her husband puts her in a satin gown to be “the bride’s hand” for the sample groom, Hong Jin. When her makeup case is open she’s on the clock; when it’s shut she’s off. That day in the greenhouse she pushed the latch down herself, while her husband pressed the shutter from behind the viewfinder. The sample now hangs in the shop, and every day she touches up its dust.
- Fishing Till DawnMai Qing, who runs a seafood stall, signs up with her husband Sha Cong for Kun Kee’s night-fishing trip, and the list has one extra name on it: Candy, who does nails. Under the white light at the bow, her husband teaches someone to cast with his hands over hers; under the yellow light at the stern, she squats sorting line with A-Kun, the forty-four-year-old skipper. Every time the glow bell on the rod tip rings, they have to stop. It rings three times. The fourth time, she takes the bell off. At dawn they come back to port, each carrying a fish.
- The Ski InstructorTwenty-three below. Yu Fei, twenty-eight, a dental receptionist, is marched onto the slopes by her husband Lang Xiao, thirty-four, and falls twenty-seven times. It is Lao He, the forty-six-year-old guesthouse owner, who carries her off the intermediate run and back to the heated kang. On the kang, her husband makes a proposal: goggles on means yes, and whoever pushes them up calls a stop. She changes one line. If I push them up to my forehead, you both stop. If you push them, it doesn’t count. The walls are thin. Next door can hear everything.
- The Body DoubleLuo Xue, twenty-nine, is a nude double at Yunqi Film Studios; her face never goes on camera. Her husband Tian Yifan is the best boy on the lighting crew, and in three years of lighting her every scene, her face has always been on the far side of his black flag. In the Scene 47 bed scene, leading man Ji Bei gets hard through two layers of modesty shorts and says sorry. After wrap she borrows a slate and knocks on his trailer door: it starts when you call action, and whoever calls cut, we stop. The next day there is a tenth take on the lighting playback drive. It was not shot.